Powered by OpenAIRE graph
Found an issue? Give us feedback
image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Universidade do Minh...arrow_drop_down
image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
addClaim

Estamparia com corantes naturais provenientes de resíduos de biomassa de origem vegetal

Authors: Ferreira, Márcia Martins;

Estamparia com corantes naturais provenientes de resíduos de biomassa de origem vegetal

Abstract

Nos dias de hoje a sustentabilidade é uma temática central e transversal a todos os setores e áreas. Considerando o aumento de poluição devido à utilização de corantes sintéticos, surge a necessidade de reduzir o uso de produtos químicos e tornar os métodos de produção mais sustentáveis e seguros. Desta forma, os corantes naturais mostram-se como uma alternativa adequada, uma vez que têm uma longa história e são valorizados pelos seus benefícios ecológicos e tonalidades e qualidades únicas. No que respeita à indústria têxtil, já se verifica um recurso aos corantes naturais, em particular no setor da tinturaria. Contudo, este avanço não é acompanhado pelo setor da estamparia, que apresenta ainda escassez de informação relativamente a este tópico. Face ao exposto, a presente dissertação contempla como principal objetivo o estudo de corantes naturais provenientes de resíduos de biomassa de origem vegetal no setor da estamparia têxtil. Para tal, serão desenvolvidas tarefas teórico-práticas, que abrangem a extração, aplicação e testagem dos corantes naturais aplicados por estamparia direta em substrato de algodão, de modo a adquirir uma maior compreensão de algumas das suas propriedades como a solidez da cor e capacidade colorística. Para o desenvolvimento das pastas de estampar, foram selecionadas como matérias-primas dos corantes o ouriço da castanha, a casca de romã e a flor de Butterfly Pea, o que, em conjunto com diferentes mordentes e espessantes, possibilitou a obtenção de uma paleta de cores, cujas tonalidades variam entre rosa, amarelo, castanho, azul e cinza. De forma sumária, após a análise dos dados referentes aos ensaios de solidez à luz, à lavagem e à fricção a húmido e a seco, pode afirmar-se que o corante ouriço de castanha, o sulfato de ferro e a goma guar são, de uma forma geral, os responsáveis pelo contributo mais significativo ao nível da solidez da cor, à semelhança dos processos de taninagem e vaporização, que se apresentam como procedimentos de relevância no presente estudo. No futuro, com vista a motivar a adoção de práticas mais sustentáveis, surge a necessidade de se proceder a mais estudos, com o intuito de compreender o comportamento dos corantes naturais, em conjunto com os materiais naturais presentes na pasta de estampar, bem como os benefícios da sua utilização.

Nowadays, sustainability is a central and transversal theme across all sectors and areas. Considering the increasing pollution caused by the use of synthetic dyes, there is a need to reduce the use of chemicals and make production methods more sustainable and safe. In this context, natural dyes emerge as a suitable alternative, as they have a long history and are valued for their ecological benefits and unique shades and qualities. In the textile industry, there is already a shift towards the use of natural dyes, particularly in the dyeing sector. However, this advancement has not been mirrored in the printing sector, which still lacks information on this topic. In this sense, the main objective of this dissertation is to study natural dyes derived from plant-based biomass waste in the textile printing sector. To achieve this, theoretical and practical tasks will be developed, which include the extraction, application, and testing of natural dyes applied through direct printing on cotton substrates, in order to gain a better understanding of some of their properties, such as color fastness and color strength. For the development of the printing pastes, chestnut husks, pomegranate peel, and butterfly pea flowers were selected as raw materials for the dyes, which, in combination of diferent mordant and thickeners, made it possible to obtain a color palette ranging from pink, yellow, brown, blue, and gray. In summary, after analyzing the data from the lightfastness, washing, and wet and dry rubbing tests, it can be stated that chestnut husks dye, iron sulfate, and guar gum are generally responsible for the most significant contribution to color fastness, similar to the tanning and steaming processes, which are relevant procedures in this study. In the future, with a goal to encouraging the adoption of more sustainable practices, further studies are needed to understand the behavior of natural dyes in combination with the natural materials present in the printing paste, as well as the benefits of their use.

Country
Portugal
Related Organizations
Keywords

Engenharia e Tecnologia::Outras Engenharias e Tecnologias, Solidez da cor, Color fastness, Natural dyes, Estamparia têxtil, Textile printing, Corantes naturais

  • BIP!
    Impact byBIP!
    selected citations
    These citations are derived from selected sources.
    This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
    0
    popularity
    This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
    Average
    influence
    This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
    Average
    impulse
    This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
    Average
Powered by OpenAIRE graph
Found an issue? Give us feedback
selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
0
Average
Average
Average
Green