Powered by OpenAIRE graph
Found an issue? Give us feedback
image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ YÖK Açık Bilim - CoH...arrow_drop_down
image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
versions View all 2 versions
addClaim

Süleymaniye kütüphanesi ebru koleksiyonundaki Mustafa Düzgünman ebruları

Authors: Taşatan, Uğur;

Süleymaniye kütüphanesi ebru koleksiyonundaki Mustafa Düzgünman ebruları

Abstract

ABSTRACTEbru (marbling), stepping onto the stage of history in writing backgrounds and paper cutting albums, transformed into an independent art form in the course of time. This transformation undoubtedly owes much to extremely zealous ebru artists. Mustafa Düzgünman, an ebru artist who produced works in all kinds of Turkish marbling, improved and enriched the existing varieties, yet Düzgünman's marbling pieces displayed in libraries, museums and private collections have not been studied sufficiently and properly. The aim of this study is to take a step towards meeting this need. Duzgunman's work in the marbling collection of Süleymaniye Library are addressed in two catalogs following detailed information on the etymological origin of the word Ebru (marbling), the history of the art, the materials used in marbling, marbling types, ebru artists in the history of Turkish including Mustafa Düzgünman. The process of cataloging is done by identifying the tags of ebru works and avaluating their composition properties. The aim is to reveal the development of Turkish ebru art in the light of the findings obtained. Keywords: marbling, Turkish marbling, Mustafa Düzgünman, Süleymaniye Library

Tarih sahnesine yazı zeminlerinde ve katı' albümlerinde kullanılarak çıkan ebru zaman içerisinde müstakil bir sanat hüviyeti kazanmıştır. Bu durum hiç şüphesiz üstün gayretli ebrucular vesilesiyle olmuştur. Türk ebrusunun her çeşidinde eser veren ayrıca mevcut çeşitleri geliştiren ve zenginleştiren Mustafa Düzgünman'ın kütüphane, müze ve özel koleksiyonlarda bulunan ebruları yeterince ve layıkıyla incelenememiştir. İşbu çalışma ile söz konusu bu eksikliğin giderilmesine dair bir adım atılması amaçlanmaktadır. Ebru kelimesinin etimolojik kökeni, sanatın tarihçesi, kullanılan malzemeler, ebru çeşitleri, Türk ebru tarihindeki ebrucular ve Mustafa Düzgünman hakkında detaylı bilgiler verildikten sonra Süleymaniye Kütüphanesi ebru koleksiyonunda bulunan Mustafa Düzgünman ebruları iki katalog halinde incelenmiştir. Kataloglama eser künyelerinin tespit edilmesi ve kompozisyon özelliklerinin değerlendirilmesi suretiyle yapılmıştır. Ortaya çıkan somut veriler ışığında Türk ebru sanatındaki gelişmenin gözler önüne serilmesi amaçlanmıştır.Anahtar kelimeler: ebru, Türk ebrusu, Mustafa Düzgünman, Süleymaniye Kütüphanesi

349

Country
Turkey
Related Organizations
Keywords

Turkey, Fine Arts, Turkish marbling, Traditional Turkish art, Mustafa Düzgünman, Türk ebrusu, Düzgünman, Mustafa Esat, 1920-1990, ebru, Süleymaniye Kütüphanesi marbling, Marbling, Art history, Türkiye, Art History, Süleymaniye Library, Sanat Tarihi, Güzel Sanatlar, Ebru sanatı, Art

  • BIP!
    Impact byBIP!
    selected citations
    These citations are derived from selected sources.
    This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
    0
    popularity
    This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
    Average
    influence
    This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
    Average
    impulse
    This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
    Average
Powered by OpenAIRE graph
Found an issue? Give us feedback
selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
0
Average
Average
Average
Green