This thesis presents a critical overview of a supernatural being, the South Slavic vila, as she figures in the oral traditions of Bosnian, Croatian, Montenegrin and Serbian peasants collected in the 19th and early 20th centuries. The thesis returns to the conceptual frame of older primary texts (here titled survey studies) used by comparative scholars and updates this work with the knowledge gleaned from a century of research and theory in the fields of folkloristics and historical anthropology. These materials are presented in a distributive frequency analysis model such as those often employed by the Historical-Geographic school of folklore research, but the study is built on a foundation informed by the insights of Milman Parry and Albert Lord’s researches into the diffusion of oral traditions. These traditions are further refined by focusing on the singers, storytellers and believers who used the vila in an emic manner balanced at a nexus point between artistic innovation and traditional dictates. The data is also further contextualized with a focus on the embedded nature of these cultural expressions and a clear portrait of the contexts surrounding their collection and publication in a wider cultural sphere. The aim of the thesis is to present a comprehensive description of the vila’s role in oral traditions to serve as a primary source for scholars doing comparative or interpretive work, as well as to provide a clearer picture of the contexts of the materials to refine such research. In doing so, this thesis produces a comprehensive method and model that can be applied to other supernatural beings, repatriates oral arts back to their original purveyors by undoing academic silencing of subaltern voices and returns critical context to inherited traditions once stripped of them by romantic academic theories.

Candidate in Philosophy

Thesis