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handle: 10261/240338
A través del estudio de la película Carmen la de Ronda (Tulio Demicheli, 1959) se plantean las disfunciones promovidas entre la idea de Alfonso Sastre que le sirve de origen y la disolución final de un mito por el que transitar la más abierta paradoja; un complejo recorrido capaz de revelar los desencuentros originados por la interacción entre la producción y la recepción de los artefactos culturales.
carmen la de ronda, Carmen la de Ronda, Alfonso Sastre, General Works, Identity, tulio demicheli, A, identidad, alfonso sastre, mito, cine, literature, literatura, Tulio Demicheli, myth, Identidad, Cine, Mito, Literatura, Cinema
carmen la de ronda, Carmen la de Ronda, Alfonso Sastre, General Works, Identity, tulio demicheli, A, identidad, alfonso sastre, mito, cine, literature, literatura, Tulio Demicheli, myth, Identidad, Cine, Mito, Literatura, Cinema
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