
handle: 11353/10.2071256
This article investigates the post-editing workflow and types of edits made in the context of a real-life literary translation project. The source text is a short narrative by Brazilian author Lima Barreto. The text was first machine-translated into German by DeepL and subsequently postedited by a literary translator, using a keylogger to capture edits and intermediate versions.
602051 Translation studies, 602051 Translationswissenschaft, Post-editing workflow, Edit distance, post-editing workflow, Typology of edits, edit distance, Tipología de ediciones, Versiones intermedias, Postedició literària, Tipologia d'edicions, Flux de treball de postedició, Distància d'edició, literary post-editing, Posedición literaria, Literary post-editing, Intermediate versions, typology of edits, Versions intermèdies, Distancia de edición, intermediate versions, Flujo de trabajo de postedición
602051 Translation studies, 602051 Translationswissenschaft, Post-editing workflow, Edit distance, post-editing workflow, Typology of edits, edit distance, Tipología de ediciones, Versiones intermedias, Postedició literària, Tipologia d'edicions, Flux de treball de postedició, Distància d'edició, literary post-editing, Posedición literaria, Literary post-editing, Intermediate versions, typology of edits, Versions intermèdies, Distancia de edición, intermediate versions, Flujo de trabajo de postedición
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