
doi: 10.31751/643
handle: 11353/10.996389
Der Beitrag bietet eine detaillierte Analyse des Kopfsatzes von Schuberts Klaviersonate D575 von 1817. Dabei werden erstmals bei einer so frühen Sonate des Komponisten traditionelle Analyseverfahren mit Simons Tonfeldtheorie kombiniert.
sonata form; Franz Schubert; Sonatenform; Albert Simon; Tonfelder; Klaviersonate H-Dur D 575; Piano Sonata B major D 575; Konstrukt; Funktion, Funktion, Music and books on Music, Tonfelder, M, Konstrukt, sonata form, Sonatenform, Albert Simon, Klaviersonate H-Dur D 575, Franz Schubert, Piano Sonata B major D 575
sonata form; Franz Schubert; Sonatenform; Albert Simon; Tonfelder; Klaviersonate H-Dur D 575; Piano Sonata B major D 575; Konstrukt; Funktion, Funktion, Music and books on Music, Tonfelder, M, Konstrukt, sonata form, Sonatenform, Albert Simon, Klaviersonate H-Dur D 575, Franz Schubert, Piano Sonata B major D 575
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