
In 2012, an urban renewal project in Eskişehir, Turkey, was initiated with claims of “festive renewal,” challenging the theories of critical urban studies that emphasize the disruptive effects of such projects. Built on a discussion about hegemony, which deploys consent and dissent in its organization, this article ethnographically investigates the tactics and strategies of the renewal machine that mobilized and co-opted parts of the locals into the project while invoking layers of dissent, distrust, and discomfort. The article discusses how historically built political, socioeconomic, and gender inequalities were efficiently detected, reconstituted, and put into the service of the renewal machine while revealing tension and dynamism behind the “festive renewal.” It shows a fragility of hegemony that is neither a given nor a completed template.
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 5 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Top 10% | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Average | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
