
Why do students undertaking practice-based Art and Design (A&D) degree courses have to write? What kind of writing would support them best in their practice? How do we mark student writing that challenges our current writing criteria? The ‘Writing Purposefully in Art and Design’ (Writing PAD) project seeks to encourage debates around writing in A&D. This article details the first year of the project and lays out the various debates that have developed. The project was initiated to focus specifically on disseminating current good practice for students with visual-spatial learning styles and dyslexia, international students, and mature students. This article presents the spectrum of views that have arisen from our discussions over the year. The issues presented are followed by the implications for change that have emerged from the various Writing PAD activities.
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 4 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Top 10% | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
