This paper is an attempt to analyze the GFP Bunny, bio-art by the Brazilian artist Eduardo Kac, understood here as a paradigmatic contemporary work of art, based on some concepts from Kant's Aesthetics, especially those notions which shed light on the very ancient relationships that art maintains with nature, among which I will highlight the theory of genius. The paper includes a long “Methodological Note” that intended, at least, to initiate, without reaching any solution, the discussion about the current validity (or not) of the pair art/nature to think about the problem.