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This article devoted to the problem of interpretation in literary translation today attracts the attention of many scholars. The increased interest in this issue is associated with the statement, which has become an axiom in modern translation studies, that the text of the translation, which is the result of the translation process, necessarily bears the imprint of interpretative processes. In this regard, the translated text can, with certain reservations, be considered a unique text that differs from the original text.
translation, interpretation, composition, vocabulary, syntax, culture, framework, extralinguistic, aesthetic principles, configuration, content, formation
translation, interpretation, composition, vocabulary, syntax, culture, framework, extralinguistic, aesthetic principles, configuration, content, formation
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