: Cakenjring traditional art is increasingly favored by the Banyumas and surrounding communities. This art is often staged at various events such as welcoming official visits, weddings, circumcisions, and other thanksgiving. Every anniversary of the Republic of Indonesia's Independence day Cakenjring art is celebrated. Even the art of Cakenjring has repeatedly won the traditional music festival at the international level. However, until now this art has not been used as a cultural attraction in Banyumas Regency. Noting this, the purpose of this study was to determine the feasibility of the traditional art of Cakenjring Banyumas as a cultural attraction. This research uses ethnography method to study community behavior directly from its natural environment, hermeneutics method to interpret, give understanding, or translate meaning, and ethnomusicology method to find out social and cultural aspects of music and dance in the local and global context of Cakenjring art. Based on the results of data analysis, it is known that the art of Cakenjring is a collaboration of the arts of Calung, Kenthong and Genjring. This art has a clear identity in the form of groups and is growing rapidly in each village. Cakenjring has a type of music made from bamboo, drums, and flying. The number of artists from 10 to 80 people. The type of stage varies greatly. The costume uses Banyumas traditional clothes. Sources of funds from artists, communities and sponsors. Cakenjring has a good and entertaining moral message. Cakenjring art is increasing and there are improvements from time to time both musical instruments, artists, and poems, so that Cakenjring becomes a spectacle and show that is interested in the wider community regionally, nationally, and internationally. Therefore, the art of Cakenjring is very feasible as a cultural attraction in Banyumas Regency.

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