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In the sound documentary Listening is Action, the composer Hildegard Westerkamp engages in a conversation with Luis Velasco-Pufleau at her home in the city of Vancouver, which is situated on the traditional, ancestral, and unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. She talks us through her first field recordings and her soundwalking practice, her work at the Vancouver Co-operative Radio, and her participation in the World Soundscape Project, all of which started or took place in the 1970s. Furthermore, she takes us on soundwalks at places she used to go and record more than thirty years ago, such as those now called Kitsilano Beach and Vancouver’s Downtown Eastside, and that constitute the sources for her soundscape works A Walk Through the City (1981) and Kits Beach Soundwalk (1989). This sound documentary is an invitation to listen more attentively to the multiple voices that inhabit our environments in order to imagine new, plural, and unforeseen realities. Listening is Action was narrated by Hildegard Westerkamp, produced, recorded, and edited by Luis Velasco-Pufleau, with music by Hildegard Westerkamp, mixing by Christophe Rault, and lead voice by Chanda VanderHart. This sound work was part of the research project ONTOMUSIC, led by Luis Velasco-Pufleau and conducted at the University of Bern and McGill University. It was financially supported by the European Union’s Horizon 2020 research and innovation programme, under the Marie Skłodowska-Curie grant agreement No. 101027828. Listening is Action was recorded in the city of Vancouver, which is situated on the traditional, ancestral, and unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. The authors acknowledge the inherent rights and jurisdiction that these Nations hold to their territories.
Listening is Action was finalist for a Prix SONHOR 2023 (SONOHR Radio & Podcast Festival, Switzerland). Creation: La Semaine du Son / De week van de Klank (Brussels, Belgium), 4 February 2023.
acoustic écology, sound communities, critical listening positionality, Sound Recordings/history, Sound, Sound Recordings/ethics, politics of recording, sensory ethnography, ethics of listening, more-than-humans, Music
acoustic écology, sound communities, critical listening positionality, Sound Recordings/history, Sound, Sound Recordings/ethics, politics of recording, sensory ethnography, ethics of listening, more-than-humans, Music
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