Meena Kandasamy’s first novel, The Gypsy Goddess, is an experimental novel that takes inspiration from the Kilvenmani massacre to depict the struggle, plight, and injustice meted on a group of Dalit agricultural laborers. The novel through its radical postmodern structure tries to confront the dynamics of caste and gender in Indian society. This paper argues that the novel beginning from the title itself gives a pivotal position to women and Dalit women in particular. It attempts to discuss the problems, struggles, and spirit of Dalit women in the novel which are specific to Dalit women and which are marginalized by mainstream feminist movements. This paper believes that though the novel fundamentally opposes the nexus between the state and upper caste landlords and bats for communism, it also complicates the relationship between class struggle and caste question in India. Therefore, this paper by analyzing The Gypsy Goddess wants to emphasize the necessity of discussion regarding the workings of caste and gender among Indians and Dalits in particular.