Downloads provided by UsageCounts
The aim of the project is to reconstruct the appearance of the Maya frieze of the Palace of the Stuccoes in Acancéh Yucatán, dating from c. 350 BC to AD 850. The frieze itself is destroyed by now but was documented by Adela Breton in 1907. Her watercolours on drafting linen and few black and white photographs taken by her at the same time are the basis of 2.5D prints which reconstruct the appearance of the frieze. After analyzing the colours recorded in the watercolours and the shadows in her photographs, we employ Woodburytype and the combination of photogravure, relief printing and embossing to generate a print which comes close to the optical and haptic appearance of the original.
Reprinted with permission of IS&T: The Society for Imaging Science and Technology sole copyright owners of the Printing for Fabrication 2020 Proceedings
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 0 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Average | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
| views | 5 | |
| downloads | 10 |

Views provided by UsageCounts
Downloads provided by UsageCounts