The aim of the paper is to show that the work done by artists in the last century has led to a systematic attempt at an artistic disenfranchisement of reality. In other words, artists have tried to dismiss reality through art, expanding the domain of art to the point of making it ideally coincide with that of reality. Finally, I will argue that this attempt (which had disastrous outcomes) was far deeper and more systematic than the other, much more famous attempt: the philosophical disenfranchisement of art.