
Originally this bas-relief together with another one and some other decorative pieces, where collocated in the choir of the Basilica of Saint-Sernin. Alexandre du Mège, one of the restorers, incorporated it into the interior wall of the ambulatory. The original work, in marble, can be attributed to Bernard Gilduin, who sculpted the altar table consecrated in 1096. The Christ in Majesty appears beardless in accordance with the classical model. It has been executed on a plane surface and takes inspiration from both late antiquity and the decorative style of Carolingian ivory work.
Sculpture
Sculpture
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 0 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Average | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
