
Mazkur maqolada adabiyotshunoslikka oid nazariy adabiyotlarda qo‘rquv masalasining o‘rganilishi tahlil qilinadi. Tadqiqotda qo‘rquv tushunchasining estetik, psixoanalitik va strukturalistik nazariyalar doirasidagi talqinlari ko‘rib chiqiladi. Edmund Burke’ning ulug‘vorlik (sublim), Zigmund Freyd’ning g‘ayrioddiylik (unheimliche), Julia Kristeva’ning abjeksiya hamda Tsvetan Todorov’ning fantastik haqidagi qarashlari asosida qo‘rquvning badiiy matndagi vazifasi yoritiladi. Shuningdek, o‘zbek adabiyotshunosligida qo‘rquv va tahlika kategoriyalariga munosabat masalasi ko‘rsatib beriladi. Tadqiqot natijalari qo‘rquv adabiyot nazariyasida mustaqil estetik kategoriya sifatida shakllanganini asoslaydi.
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 0 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Average | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
