This article offers the theoretical foundations of radif and hajib as essential elements of classical poetics, their role within the rhyming system, and their artistic-aesthetic functions in Lutfi's minor lyrical genes. The study analyzes the use of radif and hajib in genres such as rubai, qita, and quatrains, reveling their signature in strangthening meaning, rhythm, and musicality. Based on statistical analysis across the poet's sofa, the level of application of these poetic devices is identified and their correlation with gene characteristics is clarified. The research concluses that in Lutfi's minor lyrical works, radif and hajib perform not only structural but also semantic and communicative functions.