Cak Srikandi (CS) is a new creation of Bali tourism performing art which is performed by female dancers. It has a different concept compared to the common cak dance that preformed by male dancers. The distinguish concept accelerates various questions. Therefore, this research is aimed at finding and comprehending the ideology underlining this differ cak concept performed by people in Ubud and its implication to the dancers, society, and to the performing art of Ubud tourism itself. This research is conducted in Ubud by employing qualitative method and analysing through the theory of deconstructive, tourism performing art, theory of practice, and the power knowledge relation theory. The result shows that the CS performance is performed under ideology of marketing, tourism performing art ideology, ideology of feminism, and the cultural preservation ideology. The CS is keep being performed until this present because of its positive implication towards economic settlement of doers, the strengthening social relation among local people and related parties, preservation of local art and culture, and the enrichment of tourism performing art in Ubud.