The Interactive Dance Club: Avoiding Chaos in a Multi-Participant Environment

descriptionPublicationkeyboard_double_arrow_right Article , Conference object , Preprint , Other literature type 01 Sep 2002Embargo end date: 01 Jan 2020 English Publisher:MIT Press - JournalsJournal:Computer Music Journal, volume 26, pages 40-49 (issn: 0148-9267, eissn: 1531-5169,

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Authors: Ryan Ulyate; David Bianciardi;

doi: 10.1162/014892602320582963 , 10.48550/arxiv.2010.02207 , 10.5281/zenodo.1176378 , 10.5281/zenodo.1176377

arXiv: 2010.02207

The Interactive Dance Club: Avoiding Chaos in a Multi-Participant Environment

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Abstract

In 1998 we designed enabling technology and a venue concept that allowed several participants to influence a shared musical and visual experience. Our primary goal was to deliver musically coherent and visually satisfying results from several participants' input. The result, the Interactive Dance Club, ran for four nights at the ACM SIGGRAPH 98 convention in Orlando, Florida. In this paper we will briefly describe the Interactive Dance Club, our "10 Commandments of Interactivity," and what we learned from its premiere at SIGGRAPH 98.

Proceedings of the International Conference on New Interfaces for Musical Expression, 2001

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Keywords

FOS: Computer and information sciences, Sound (cs.SD), Computer Science - Human-Computer Interaction, Computer Science - Sound, Human-Computer Interaction (cs.HC), Audio and Speech Processing (eess.AS), FOS: Electrical engineering, electronic engineering, information engineering, H.5.5, Electrical Engineering and Systems Science - Audio and Speech Processing

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