This paper discusses the implications of Sarah Josepha Hale’s polarizing opposition to the franchise of women on her legacy award, given to many authors since its inception, but most notably to contemporary women writers whom Hale likely would have rejected. In 2019, the award went to Jodi Picoult, an author who bridges journalistic writing on topics such as abortion, white supremacy, and gun violence, among others, with fiction novel writing. Hale’s own works are archived through the Richards Free Library, and as such, the award is given for the entire collective body of work of one nominated literary person. The award impacts not only Picoult’s career but Hale’s legacy as an open opposer to the franchise of women, as well as the opportunities for contemporary women writers.