In recent years, post-dramatic theatre in Ireland has transitioned from a fringe practice to a consistent feature of annual venue programmes and curated festivals. This thesis investigates the emergence of this theatrical form, asking why post-dramatic theatre emerged to such an extent during the period in question and what aspects of theatre are particular to the form. This research is organised thematically, first locating post-dramatic theatre in a theoretical and practical context, before considering post-dramatic theatre practice through elements of performance, spectatorship, space, and text. A thematic approach makes it possible to engage with points of intersection between postmodern experience and post-dramatic forms, where multiplicity, fragmentation and incoherence are rife. It also allows for a neater analysis of these individual components in their own right.

TARA (Trinity’s Access to Research Archive) has a robust takedown policy. Please contact us if you have any concerns: rssadmin@tcd.ie