The essay describes the outcomes of the restoration of the Torino Esposizioni complex, an exemplary work of mid-century engineering by Pier Luigi Nervi. The complex is well known to the community for its various uses over the years and for the complete state of neglect it has been in since the post-Olympic period. In line with the call’s suggestions, the Padiglione 2 well manifests the passage of time through a collection of images, between history and memory. The important work of digitizing the artifact and especially the HBIM modeling of the pavilion can be told through images.