Ocaña. La pintura travestida. Homosexualidad y travestismo como fundamentos

descriptionPublicationkeyboard_double_arrow_right Article 01 Jan 2013 Spain Spanish Publisher:Faculdade de Belas-Artes da Universidade de Lisboa & Centro de Investigação e de Estudos em Belas-Artes

Authors: Naranjo-Ferrari, José;

handle: 11441/107586

Ocaña. La pintura travestida. Homosexualidad y travestismo como fundamentos

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Abstract

In this communication , we provide us with a review of Ocaña's artistic production (1947-1983, Cantillana, Seville). It is based two foundations of his life and his art: the homosexuality and the painting. We will put in value the plastic work and Ocaña's accionismo, studying the relation between both areas across the homosexuality and the transvestism. So, we argue indissoluble union between painting and action in Ocaña's work.

En esta comunicación presentamos una revisión de la producción artística de Ocaña (Cantillana, 1947-1983) basadas en dos fundamentos de su vida y de su arte: la homosexualidad y la pintura. Pondremos en valor la obra práctica y el accionismo de Ocaña, estudiando la conciliación entre ambas áreas a través de la homosexualidad y el travestismo. Argumentamos la indisoluble unión entre pintura y acción en la obra de Ocaña.

Country

Spain

Related Organizations

University of Seville
Spain

Keywords

Painting, Sevilla, Spain, Homosexualidad, España, Pérez Ocaña, José 1947-1983, Seville, trasvestismo, Pintura, Homosexuality, transvestism, Cantillana

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