
handle: 11336/58024
For the absence of formal marks that allow to differentiate the genres, and to the prosecution of a trend to the hybridization of the same ones, between poetry and prose, between diary and novel, we will try to read two books of recent poets who somehow place in a way of exposing the subjectivity that still it is necessary to in-clude under the label of the «romanesque». Be-tween the I and the world there take place the relations that the fictional language could show as cases of a problematic heroism, it is necessary to propose then that this tension continues in new forms.
Dada la ausencia de marcas formales que per-mitan diferenciar los géneros, y a la prosecu-ción de una tendencia a la hibridación de los mismos, entre poesía y prosa, entre diario y novela, intentaremos leer dos libros de poetas recientes que de alguna manera se sitúan en un modo de exponer la subjetividad que todavía cabe incluir bajo el rótulo de lo «novelesco». Entre un yo y el mundo se producen las rela-ciones que el lenguaje novelesco pudo mostrar como casos de un heroísmo problemático, cabe proponer entonces que esa tensión continúa en nuevas formas.
Fil: Mattoni, Silvio Luis. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Córdoba. Instituto de Humanidades. Universidad Nacional de Córdoba. Instituto de Humanidades; Argentina
CRÍTICA LITERARIA, POESÍA ARGENTINA, https://purl.org/becyt/ford/6.2, GÉNEROS LITERARIOS, SUBJETIVIDAD, https://purl.org/becyt/ford/6
CRÍTICA LITERARIA, POESÍA ARGENTINA, https://purl.org/becyt/ford/6.2, GÉNEROS LITERARIOS, SUBJETIVIDAD, https://purl.org/becyt/ford/6
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