
handle: 11336/237375
De la canción protesta a la canción de autor, la “urgente gramática necesaria” (Alberti, 1941) de la lucha antifranquista de los años 60 y 70, recupera y revitaliza las cualidades “agonísticas” y “homeostáticas” (Ong, 1986) de la tradición oral popular y pondera los folclores regionales, al tiempo que música la poesía de los escritores censurados por el franquismo y hace de dicha expresión artística una declaración de principios. Los jóvenes de la época llevan sus composiciones a aquellos espacios que escapan al control oficial y manifiestan su disidencia tanto en el plano político, adhiriendo a los movimientos revolucionarios y rechazando la dictadura franquista, como en el cultural, enfrentándose a la hegemonía de la canción comercial. A propósito de ello, nuestro artículo se centrará en el estudio de tres canciones emblemáticas, intentando pensar cómo se articulan en estas una determinada retórica del compromiso y su consecuente llamada a la acción en relación con sus performances.
From the protest song to the author song the “urgently needed grammar” (Alberti, 1941) of the anti-Franco struggle of the 60s and 70s, recovers and revitalizes the “agonistic” and “homeostatic” (Ong, 1986) qualities of popular oral tradition and ponders regional folklore, while adapting music to the poetry of writers censored by Francoism and making of said artistic expression a declaration of principles. The youth of the time, take their composition to those spaces that escape official control and express their political dissidence, adhering to the revolutionary movements and rejecting Franco’s dictatorship, as well as culturally confronting the hegemony of the commercial song. Based on this, our article will focus on the study of three emblematic songs, trying to ascertain how a determined engaging rhetoric and its consequent call to action, will articulate in relation to their performances.
Fil: Riva, Sabrina. Universidad Nacional de Mar del Plata. Facultad de Humanidades. Departamento de Letras; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Mar del Plata; Argentina
HIMNOS, https://purl.org/becyt/ford/6.2, https://purl.org/becyt/ford/6, RETÓRICA, PERFORMANCE, CANCIÓN DE AUTOR
HIMNOS, https://purl.org/becyt/ford/6.2, https://purl.org/becyt/ford/6, RETÓRICA, PERFORMANCE, CANCIÓN DE AUTOR
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