
O presente artigo se debruça sobre as reflexões poéticas do “corpo de carne”, inquietação do bailarino, diretor e fundador da dança butô, Hijikata Tatsumi. O objetivo principal é discutir este conceito em oposição às construções opressivas do que pode ser chamado de “corpo social” que Hijikata visava destruir através de suas inovadoras proposições em dança.
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