Rescrituras escénicas de la Divina Comedia en clave argentina
Copyright policy )Rescrituras escénicas de la Divina Comedia en clave argentina
En este trabajo se analizan tres apropiaciones de la Commedia en las que se observan diversos procedimientos de la reescritura teatral. Como forma canónica de la intertextualidad, la reescritura puede operarse bajo la forma más sutil de la alusión, la cita, la condensación, o bien, la organización estructural. Las obras seleccionadas -que incluyen estas posibilidades- son Una pasión sudamericana (1989) de Ricardo Monti, Lo que me costó el amor de Laura (1998) de Alejandro Dolina y La Divina Comedia, de F a B (2022) de Andrés Gerszenzon.
- National University of the Arts Argentina
- Autonomous University of Barcelona Spain
reescrituras teatrales, Discourse Analysis, Drammaturgia, Sociology and Political Science, Riscritture teatrali, Intertextualidad, Assessment of Executive Functions in Spanish-Speaking Populations, Arts in general, Social Sciences, Dramaturgy, Intertextualité, NX1-820, Réécritures théâtrales, Commedia, Humanities, opera, Intertestualità, Psychology, Reescrituras teatrales, Dramaturgia, Intertextualitat, Language and Literature, Museology, intertextualidad, P, FOS: Humanities, Dramatúrgia, dramaturgia, FOS: Psychology, Opera, Ópera, Clinical Psychology, Transmedia Storytelling for CSR Communication, Opéra, Reescriptures teatrals, Theater rewritings, Discourse Analysis and Social Change, Arts and Humanities, Intertextuality, Òpera, Dramaturgie, Art
reescrituras teatrales, Discourse Analysis, Drammaturgia, Sociology and Political Science, Riscritture teatrali, Intertextualidad, Assessment of Executive Functions in Spanish-Speaking Populations, Arts in general, Social Sciences, Dramaturgy, Intertextualité, NX1-820, Réécritures théâtrales, Commedia, Humanities, opera, Intertestualità, Psychology, Reescrituras teatrales, Dramaturgia, Intertextualitat, Language and Literature, Museology, intertextualidad, P, FOS: Humanities, Dramatúrgia, dramaturgia, FOS: Psychology, Opera, Ópera, Clinical Psychology, Transmedia Storytelling for CSR Communication, Opéra, Reescriptures teatrals, Theater rewritings, Discourse Analysis and Social Change, Arts and Humanities, Intertextuality, Òpera, Dramaturgie, Art
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