Inner Mongolia in northern China is a multi-landform and multi-ethnic area with great regional characteristics, where various ethnic groups live here. Existing archaeological data show that as early as 5,000 years ago, the Yangshao culture of Inner Mongolia. Before the Spring and Autumn Period and the Warring States Period, some nomadic people such as Xiongnu and Donghu lived a nomadic life here. The cultural treasures with a long history, such as Hongshan Culture, Liao Shangjing Site and Yuan Shangdu Site, are all models of traditional design. The essence of its design is that it properly expresses the innovative style of filament technology. Inner Mongolia belongs to the inland from the geographical location, in the case of less abundant materials, the craftsmen through ingenious design, for the road of regeneration. The birth and inheritance of these ornaments cannot be separated from the diligence and wisdom of the craftsmen. In Mongolian, "black black" is often used to describe excellent craftsmen. This paper will be divided into two paragraphs: material and process, structure and form, to analyze the design characteristics of bean sprout process, so as to further explore the aesthetic characteristics contained in its design consciousness. From the process production as the entry point, comb the internal connection between bean sprout process, cloisonne and diancui process. In order to carry forward the excellent design concept of the Chinese nation, it hopes to inspire the current students' learning, inheritance and innovative research in teaching practice.