ABSTRACT In the “post-truth” world, it seems possible to say anything we want. Drawing on examples from Holocaust testimony and fiction, this article argues that truth is nevertheless a central issue for readers, critics, and citizens, even if it is complex, difficult to grasp, and ethically fraught. It suggests that rather than retreating into a simple notion of truth, we need more refined vocabularies for talking about issues of truth. The article explores the relationship between literature and truth by outlining three different but interrelated regimes of truth: truth as correspondence, as disclosure, and as interpretative dialogue.