
doi: 10.3986/dmd05.1.04
V 19. stoletju je podčrtano nasprotje med glasbenim tekstom in njegovo izvedbo. Zdi se, da se v kontrastu med neulovljivim, vsem umetnostim enakim duhom ter črko glasbenega teksta kažejo stara nasprotja, ki jih čas s poudarjeno individualizacijo glasbenega dela še poglablja. Estetska normativnost glasbenega dela je uveljavila navidezni koncept samoregulirajoče avtonomnosti, ki pa vendar opozarja, da se glasba morda nikoli ni zares odrekla zunanjemu referenčnemu sistemu.
glasbena hermenevtika, ML1-3930, Literature on music, MT1-960, estetika glasbe, koncept dela, M1-5000, Music, semiotika glasbe, Musical instruction and study
glasbena hermenevtika, ML1-3930, Literature on music, MT1-960, estetika glasbe, koncept dela, M1-5000, Music, semiotika glasbe, Musical instruction and study
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