In his article, Michał Siedlecki examines the Polish reception of Kristina Sabaliauskaitė’s prose. He argues that the Lithuanian writer of Polish descent, in her Silva rerum tetralogy, achieves a masterful realization of the historical novel genre, offering readers a dazzling portrayal of the seventeenth- and eighteenth-century world of Central and Eastern Europe. A work of this scale and artistic power has not appeared in Polish literature since the times of Józef Ignacy Kraszewski (1812–1887) and Henryk Sienkiewicz (1846–1916). At the same time, the tetralogy constitutes a timeless, outstanding, and profoundly original story of love and death, of difficult choices that turn out to be tragic mistakes, and of the consequences that follow. Sabaliauskaitė’s work also persistently raises questions about the nature of good and evil, though never in a conventional way. Moreover, it is a unique narrative about an extraordinary trial of faith, the dream of freedom, an unrestrained curiosity about the world, and perhaps the most important journey of all: into the innermost depths of the human self.