Editorial: On Cinema...5-7 Counter-Devices of Moving Image: The Werner Nekes Collection...9-19 Between the Screen-Sediment and the Shattered Window: The Deconstruction of the Screens Limits and Frames in Moving Image Installations...20-36 Contemporary Cinema and the Logic of the Building The Case of Apichatpong Weerasethakul’s "Loong Boonmee raleuk chat"...37-51 Image and racism: Racial anthropophagy and the limits of anti-racist and decolonial cultural production in Brazil...52-72 Hallucinating Gonçalo M. Tavares’ "Short Movies"...73-80 The Film Sound Analysis Framework: A Conceptual tool to Interpret the Cinematic Experience...81-96 Folk Dancing Documentation as a Creative Tool for Video Art...97-114 Audiovisual essays: unveiling the mystery behind the object...122-123 Some Visual Thoughts About Perception in 'Rebecca'...124-137 The Invisible Woman: "Rebecca", after an audiovisual essay by R.V. Lisboa...138-142 Situating a Non-Conformist Auteur...116-120

Guest editors: Daniel Ribas, Nuno Crespo e Carlos Sena Caires In the past decades, the field of cinema has undergone several transformations. The digital turn increasingly called for new forms of production, distribution, and exhibition, which imply different ways of thinking, doing, and experimenting cinema. These new forms also reduced the gap between cinema to other so-called visual arts. If cinema and visual arts were already in the process of merging, the last years forced the naturalization of thinking in similar theoretical grounds. This special issue aims to be a forum for the discussion of new practices of researching cinema, and the changes in cinema’s forms of experience and production.