
doi: 10.3390/rel14010086
This article explores how themes of birth, rebirth, genesis and coming into being are present in modern and contemporary Catalan art, focusing on the works of Eugènia Balcells (b. 1942), Xicu Cabanyes (b. 1946), Mari Chordà (b. 1942), Salvador Dalí (1904–1989), and Joan Miró (1893–1983). In particular, the article looks at how these themes emerged for the artists as a way of expressing Catalan identity in the wake of the Spanish Civil War (1936–1939) and the dictatorship of Francisco Franco in Spain (1939–1975), as well as following Catalonia’s broader history as a nation without a state in Europe. In exploring the artists’ lives and works, the article also considers the topics of rebirth and the eternal return as they occur in the philosophy and history of religion of Friedrich Nietzsche (1844–1900), Albert Camus (1913–1960) and Mircea Eliade (1907–1986). Ultimately, the author interprets the artworks of the study as physical representations of rebirth that relate in part to a longstanding Catalan sentiment of an eternal recurrence to life after destruction.
Catalonia, Religions. Mythology. Rationalism, rebirth, eternal return, BL1-2790, Spanish Civil War, Catalonia; Spain; eternal return; rebirth; Spanish Civil War; modern art; contemporary art; Mircea Eliade; Friedrich Nietzsche; Albert Camus, Spain, modern art
Catalonia, Religions. Mythology. Rationalism, rebirth, eternal return, BL1-2790, Spanish Civil War, Catalonia; Spain; eternal return; rebirth; Spanish Civil War; modern art; contemporary art; Mircea Eliade; Friedrich Nietzsche; Albert Camus, Spain, modern art
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