The purpose of this scientific article is to determine the location of the bandura for a bandura with a piano by celebrated Ukrainian composer Valentina Martyniuk „Bandura foreverˮ in professional Ukrainian music. The target of this investigative work is determined by the corresponding tasks that are to identify the genre-style features of the musical character-logical language of outstanding, distinguished V. Martyniuk. The round of methods for this represented investigation is based on the historical, typological, analytical and didactic approaches, which allows the practically study of this research topic. The scientific novelty of this submitted explorative work is that it examines the original work of renowned contemporary Ukrainian composer V. Martyniuk for the bandura of the concert direction as a distinctive phenomenon combining academic and ethnic musical traditions. Conclusions. The analysis of the concert for a bandura with an orchestra „Bandura forever” by well-known author V. Martynyuk, in which we can see the richness of the imaginative-style panorama, defines the composer's special interest in neo-style – neo-folklorism, neo-romanticism, neo-classicism, neo-baroque, neo-impressionism; manifestations postmodernism, in particular, experimentation in the synthesis of various styles, including those that are opposite in their artistic and aesthetic essence. The original bandura repertoire relies heavily on folk themes and demonstrates the versatility of domestic, nationally musical folklore. Music of the famous composer V. Martynyuk has unrepeatable, charismatic artistically imaginative characterization, which had amazingly bright demonstrated into that musically artistic outstanding masterpiece. The creating of music for academic bandura by Ukrainian professional composers was and staying for today the one of main problem in relation to national, domestic musically performing art.