The editor asked Toronto Artistic Director Marion Andre to write something about theatre, contemporary theatre. He suggested that it should be about 2,000 words, general in outlook, humorous, informative, reflective and controversial. Andre agreed to the challenge and then could not be found for quite some time. Right on deadline, though, Andre arrived with his piece, left it on the editor’s desk and disappeared into the night. It was, happily, exactly what the editor had ordered. It was unique, fascinating, relevant. It was … it was …