
Este ensaio procura articular o eu abstrato da vanguarda expressionista, flagrado por Adorno em crítica de 1920, a conceitos adornianos posteriores, fundantes da sua noção de arte moderna, tais como o de desartificação [Entkunstung] e o de sublime.
Philosophy. Psychology. Religion, Vanguardas, Expressionismo, B, B1-5802, Subjetividade Abstrata, Surrealismo, Philosophy (General)
Philosophy. Psychology. Religion, Vanguardas, Expressionismo, B, B1-5802, Subjetividade Abstrata, Surrealismo, Philosophy (General)
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