In the Department of Archaeology of the Manchester Museum is a terracotta figurine that is clearly intended to be a model of the Athena Parthenos of Phidias. Though very worn, and of undistinguished provincial Roman workmanship, a'description of the figure, and some comments upon it, are offered here because it perhaps sheds light on all our other replicas of this famous work (Plates XIX-XX)When the figurine first emerged from the Manchester basements in 1970 comparison with the other published replicas then generally known suggested that it had some unique and interesting features that would make its publication worth while; however, since then Mr B. B. Shefton has most opportunely drawn my attention to a figurine in Exeter that has many points in common (Plate XXII), while Mrs Leipen's valuable collection of all the replicas relevant to the reconstruction of the statue made at the Royal Ontario Museum lists another figurine, in Geneva, that must be from the same mould (Plate XXI). This figure was acquired by the Musée d'art et d'histoire in 1916 from a local family with no antiquarian interests and of unimpeachable reputation, in whose possession it had been since at least 1870—ten years earlier than the discovery of the Varvakeion statue, the only other replica-type in the round to have the column; it had evidently been found on their land at Bassy, near Seyssel in the department of Ain, about 35 km. south-west of Geneva. Its authenticity has at times been doubted, but among the compelling arguments that Deonna brought forward in its defence were the humble circumstances of its discovery, and the fact that its former owners had made no effort to publicise their find. In support of this one can now adduce the statuette in Manchester, whose provenance is unknown, but which was presented to the museum by Miss Hilda Ransome, the author of The Sacred Bee (London, 1937) at some date before 1933, since when it has lain among the museum's reserve collections, apparently forgotten.