
doi: 10.2307/459319
The Saracens in Italian popular literature are exotic. They are of French origin and came with the French epic into Italy, where this epic material found a second fatherland. For the Franco-Italian versions which served as a connecting link between the French poems and the court epics of Pulci, Boiardo, Ariosto, Ciecco da Ferrara, Tasso and the rest, one may consult the magistral work of Pio Rajna Le fonti dell' Orlando Furioso (Firenze, 1876), the same author's Ricerche intorno ai Reali di Francia (Bologna, 1872), and the Introduction of Johannes Hübscher's edition of “Orlando” in Stengel's Ausgaben und Abhandlungen. No. lx, (Marburg, 1886). The following works may also be profitably consulted: F. Castets, Recherches sur les rapports des chansons de geste et de l‘épopée chevaleresque italienne. (Paris, 1887); Vincenzo Crescini, “Orlando nella chanson de Roland i nei poemi del Bojardo e dell’ Ariosto,” Il Propugnatore, xiii, Pt. 1, 2 (Bologna, 1880).
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