
doi: 10.2307/341528
THE multiple references to painters and paintings encountered in Lope de Vega's writings have been catalogued by F. J. Sanchez Cant6n and Miguel Herrero Garcia.' Yet, other than passing references to "el sentido pict6rico que reflejan muchos de sus escritos,"2 most criticism of the Spanish playwright's works has not focused on this matter. It may be that allusions to Italian Renaissance art are the
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