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The Monsters of Peter the Great: The Culture of the St. Petersburg Kunstkamera in the Eighteenth Century

Authors: Anthony Anemone;

The Monsters of Peter the Great: The Culture of the St. Petersburg Kunstkamera in the Eighteenth Century

Abstract

At the center of the St. Petersburg Museum of anthropology and Ethnography, in a large circular room, is a permanent exhibition of a representative sample of items collected by Peter the Great at the beginning of the eighteenth century for his original Kunstkamera.1 Among the curiosities on display, there is a large, complete human skeleton, identified only as the remains of "the giant named Bourgeois." In another, smaller glass cabinet in the same room, a visitor can see preserved an abnormally large heart that is identified as belonging to the same Bourgeois. Old catalogs of the collection contain Latin descriptions of other noteworthy parts of Bourgeois's oversized anatomy that are preserved, but no longer displayed at the Museum.2

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Powered by OpenAIRE graph
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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
10
Top 10%
Top 10%
Average
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