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A Black Theology of Liberation

Authors: Dwight Hopkins;

A Black Theology of Liberation

Abstract

AbstractThis essay looks at the notion of culture as one of the foundational presuppositions for developing a future constructive theological anthropology based on African-American folk tales. Too often contemporary theologians, in general, and Black and Womanist theologians, in particular, assume an understanding of culture as given. But because theological anthropology emerges from a divine spirit of liberation revealing itself among the culture of the people from below, then what is the exact status of the notion of culture (that is, the human container for liberating divinity)? Indeed, it is one's construal of culture that actually affects (if not effects) the resulting theological anthropology. Drawing on theoretical resources from Africa and the Diaspora, the article asserts, at least, a three-part definition. Culture is constituted by human labor, the aesthetic, and the spirit. In this regard, culture is an integrated way of life which shuns false dichotomies between sacred and so-called secular. H...

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
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