
Briefly mentions “The Killers” in his response to Barbara Olson. Concludes that the confusing term “omniscient narration” should be abandoned in favor of a more complete and accurate description. See Olson’s “‘I Don’t Like to Write Like God:’ Hemingway’s Omniscient Narration” in Authorial Divinity in the Twentieth Century: Omniscient Narration in Woolf, Hemingway, and Others, 37-63. Lewisburg, PA: Bucknell University Press, 1997. See also Olson’s response “‘Who Thinks This Book?’ Or Why the Author/God Analogy Merits Our Continued Attention” in Narrative 14, no. 3 (October 2006): 339-46.
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 50 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Top 10% | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Top 10% | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Average |
