The Parthenon is not a popular source of inspiration for modern Greek poets. Only a few poems are devoted to it, expressing either the poet's grief for bygone ages of glory or his praise of the immortal Greek spirit. Against this background, three poets can be distinguished for being different and original. For Palamas, who fights for the cause of Demoticism, the attitudes of his contemporaries towards the Parthenon encapsulate what he takes to be a sterile veneration of the ancestors. He thus opposes the idea of the restoration of the Parthenon, promoting the Modern Greek language instead. For Sikelianos, the Parthenon is only one monument among many. This weighty symbol of ancient Greek tradition is not a source of awe or embarrassment, but the yardstick that indicates the importance of the modern poet's achievement. For Calas, finally, the Parthenon is associated with the declining values of a doomed bourgeoisie and should therefore be blown up and replaced by new standards in life and art.