
doi: 10.1353/cj.0.0017
The Clarendon Press, 2000). For an innovatory attempt to write British commercial television into this history, see Rob Turnock, Television and Consumer Culture: Britain and the Transformation of Modernity (London: I. B. Tauris, 2007). 23. Dick Hebdige gives one of the classic accounts of the British romance with U.S. culture in "Towards a Cartography of Taste," in his Hiding in the Light (London: Comedia/ Routledge, 1988). The key point of the argument is that U.S. culture seems to offer working-class people a liberation from the class stratification of British society. 24. There is a substantial history of scholarship in Britain on cultural policy and social theory, but little of it could be characterized as "Television Studies." See, for example, Nicholas Garnham, Emancipation, the Media and Modernity (Oxford: Oxford University Press, 2000), and Jim McCuigan, Culture and the Public Sphere (London: Routledge, 1996). 25. For a succinct summary of the issues at stake, see Sylvia Harvey's "Ofcom's First Year and Neoliberalism's Blind Spot: Attacking the Culture of Production," Screen 47, no. 1 (2006): 91-105. 26. Amanda Lotz, "If It's Not TV, What Is It? The Case of U.S. Subscription Television," in Cable Visions: Television Beyond Broadcasting, ed. Sarah Banet-Weiser, Cynthia Chris, and Anthony Freitas (New York: New York University Press, 2007), 85-102. 27. See, for example, Tim O'Sullivan, "Television Memories and Cultures of Viewing 1950-65," in Popular Television in Britain: Studies in Cultural History, ed. John Corner (London: British Film Institute, 1991), 159-81; and "Nostalgia, Revelation and Intimacy: Tendencies in the Flow of Modern Popular Television," in Geraghty and Lusted, The Television Studies Book, 198-209; Myra MacDonald, "Performing Memory on Television: Documentary and the 1960s," Screen 47, no. 3 (2006): 327-45; Karen Lury, British Youth Television: Cynicism and Enchantment (Oxford: Clarendon Press, 2001); and Amy Holdsworth (see article below). 28. Asa Briggs, cited by Stefan Collini in "Mainly Fair, Moderate or Good," Guardian Saturday Review (September 22, 2007): 4-6, quotation on page 6; and Briggs, The History of Broadcasting in the United Kingdom vols. 1-5 (London: Oxford University Press, 1961, 1965, 1970, 1979, 1995).
| selected citations These citations are derived from selected sources. This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | 10 | |
| popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network. | Average | |
| influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically). | Top 10% | |
| impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network. | Top 10% |
