No material presented for a language-exercise and no form of language-work has awakened in the children a more intense interest or provoked them to greater effort than have the stories of the gods and the Trojan war, and especially the writing of the play which follows. The exercise is classwork, and all the children are represented, some contributing more than others; all, however, working with earnestness and each doing his part. There was quite a heated discussion as to the subject to be chosen-some favoring the "Wedding Feast," others contending that that would be too simple, that it would only necessitate allowing the characters to say "in their own words" what the story had told them. They wished to "make up" their play, and the suggestion that we write on "Laomedon's Broken Promises," that being a story from which "a good lesson could be learned," carried the day. I had some misgivings as to the outcome, but would not discourage their enthusiastic effort. The story of Cinderella, so familiar to all, was acted out to give them the "play-idea" and to familiarize them with the terms "exit," "enter," "act," "scene," "speech," "action," etc. We then spent one lesson "practicing," as they said, "the language of the gods," and another in changing sentences, "to make them sound more poetical." The suggestion to substitute "Persons of the Play" for "Cast of Characters" came from a little girl who thought that "we are only children, and we want it to be all our own." They then selected the characters needed, deciding that we could easily add others should we have need of them.