Abstract The present article is an attempt to propose the semiotic aspect that produces the ”religious- sublime”. Most of the semiotic characteristics that we use to represent (and produce) the signifiers of the religious-sublime, nevertheless, share their mechanisms with other modalities of ”sublimeness”. The sublime will be regarded as the representation (in the sense of staging) of a perception. I will propose how the subjective perception – in this case of the divinity – is (re)constructed by the subject in a piece of Spanish Gothic literature, in sacred music and in architecture – the room which houses the subjective perception of divinity.