Abstract In the multimodal era, communication in social media incorporates new codes and elements that challenge traditional definitions of text and the translation field itself. Integrating semiotics, understanding that modes follow a particular hierarchical order, and analyzing how they influence the (re)construction of meaning in certain communities is key to studying transnational hybrid messages, both global and local, in virtual environments. The translation act has proven to be a particularly useful circumstance to understand that modes should not be regarded as signs that carry meaning across cultures. Instead, this paper aims to identify which elements act as “prompts,” which (re)activate meaning once the message is repositioned in an alternative cultural context. Through a contrastive analysis of ten transpositions, in Kress’s terms, of a Burger King campaign, this work aims to shed light on which elements can be defined as modes and prompts, as well as reflecting upon its hierarchical status in this particular multimodal ensemble, while considering that, in the virtual space, other factors such as repetition and simultaneity may condition the impact and reception of global messages.