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image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
Perception
Article . 2014
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Reversing the Reversed Contrast

Authors: AGOSTINI, TIZIANO; MURGIA, MAURO; GALMONTE, ALESSANDRA;

Reversing the Reversed Contrast

Abstract

Galmonte and Agostini (1998 Investigative Ophthalmology & Visual Science, 39(4), S158), Agostini and Galmonte (2002 Psychological Science, 13, 89–93), Bressan (2001 Perception, 30, 1031–1046), and Gilchrist and Annan (2002 Perception, 31, 141–150) reported three different lightness contrast configurations in which grouping factors make a gray target totally surrounded by black appear darker than an equal gray target surrounded by white, reversing the classical contrast effect. In this paper we demonstrate that the three configurations known as ‘reversed contrast’ are based on different mechanisms. Sixteen participants judged the lightness of the gray targets of the original and modified versions of the three configurations. Our results highlight that the Agostini and Galmonte effect is reversed when the global grouping factors are removed, while in a number of variations of Bressan's and Gilchrist and Annan's displays the direction of the effect does not change, even in absence of global grouping factors. Our results indicate that the factors determining the Agostini and Galmonte effect are different from those acting on the other two configurations, in which the lightness change is also due to factors other than belongingness.

Country
Italy
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Keywords

Adult, Male, assimilation, belongingness, Light, contrast, Contrast Sensitivity, Judgment, Young Adult, Pattern Recognition, Visual, lightne, Humans, Female, assimilation; contrast; lightness; belongingness, assimilation; belongingness; contrast; lightness, Photic Stimulation

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
4
Average
Average
Average
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