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Принцип «Эстетичности форм» в художественном образовании в зарубежных школах середины XIX - начала XX веков

Принцип «Эстетичности форм» в художественном образовании в зарубежных школах середины XIX - начала XX веков

Abstract

In all schools of the world, art education is an important condition for the emergence of a growing child. The subject of "Art of drawing" unique and is significant because it has the task to develop the abilities and creativity of the child, his associative and imaginative thinking, intuition. Official document "the Concept of art education in the Russian Federation" points to the need for development of an educational system based on the experience and traditions of Russian and foreign pedagogy. Today historical and pedagogical experience necessary for a deeper understanding of many aspects of the professional activity in art education. Also it is important for the cooperation of pedagogical ideas, phenomena and facts. The article presents the views of foreign teachers from the mid 19th century early 20th century about art education in school, examples of methods and techniques of teaching drawing in schools and describes the potential pedagogical experience in art education in the modern school. The author analyzes archival materials. This analysis will help to learn more about the pedagogical experience of the past years in the art education of children. This analysis gives the opportunity to organize a diverse, multiform process of the education of children, when they learn the world through art. This analysis makes a deeper scientific understanding of the role of art in human life, better to teach aesthetic values. Creative cooperation of scientists and teachers from different countries has a positive effect on the development of education. The result of creative cooperation of teachers have become universal methods of teaching drawing children.

Во всем мире школьное художественное образование является важным условием становления растущей личности. Уникальность и значимость предмета «Изобразительное искусство» определяются нацеленностью на развитие способностей и творческого потенциала ребенка, формирование ассоциативно-образного мышления, интуиции. «Концепция художественного образования в Российской Федерации» отмечает необходимость развития образовательной системы с учетом опыта и традиций отечественной и зарубежной педагогики. Знание историко-педагогического опыта необходимо сегодня для более глубокого осмысления многих аспектов профессионально-педагогической деятельности в сфере художественного образования, понимания педагогических идей, явлений и фактов в их целостности и взаимодействии. В статье рассмотрены взгляды зарубежных педагогов середины XIX начала XX вв. на школьное художественное образование, приведены методы и приемы преподавания рисования в учебных заведениях, показаны возможности использования педагогического опыта прошлого в области художественного образования в современной школе. Автором представлены архивные материалы, анализ которых помогает расширить взгляды на педагогический опыт прошлого в области художественного образования детей, позвояет осуществить широкий подход к ориентации современных учеников на художественное освоение мира; расширяет научные представления о роли изобразительного искусства в приобщении учащихся к эстетическим ценностям. Творческое сотрудничество ученых и педагогов разных стран положительно влияет на развитие образования, подтверждает универсальность и правомерность отшлифованных временем методик приобщения детей к миру искусства.

Keywords

ПЕДАГОГИЧЕСКОЕ ОБРАЗОВАНИЕ,ЗАРУБЕЖНОЕ ХУДОЖЕСТВЕННОЕ ОБРАЗОВАНИЕ,ПЕДАГОГИЧЕСКИЕ МЕТОДИКИ,УЧЕНИЧЕСКИЕ ВЫСТАВКИ,ОБЯЗАТЕЛЬНЫЙ ПРЕДМЕТ,ТАБЛИЦЫ ПРАНГА,СИСТЕМА АУГСБУРГА,СТИЛИЗАЦИЯ РАСТИТЕЛЬНЫХ ФОРМ,ОРНАМЕНТ,ХУДОЖЕСТВЕННАЯ ПРОМЫШЛЕННОСТЬ,EDUCATION TEACHERS,ART EDUCATION IN FOREIGN SCHOOLS,INTERNATIONAL ART EXPERIENCE METHODS OF TEACHING DRAWING,AESTHETIC SENSE,EDUCATION REFORM,ART TOOLS,PENCIL DRAWING,PAINTING,SCULPTURE,DIDACTIC TABLES PRANG,THE SYSTEM OF TRAINING OF AUGSBURG,STYLIZED PLANT FORMS,ORNAMENT,ART INDUSTRY

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selected citations
These citations are derived from selected sources.
This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Citations provided by BIP!
popularity
This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.
BIP!Popularity provided by BIP!
influence
This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).
BIP!Influence provided by BIP!
impulse
This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.
BIP!Impulse provided by BIP!
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Average
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